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Block Party: Hip Hop’s 50th Birthday Jam
Aug 11, 2023 @ 12:00 pm
If you know how and why Hip Hop began, you know how powerful storytelling – for the sake of justice, culture, and entertainment – can be. Thus, you can appreciate why Sulaiman Jenkins and Mutah Beale produced and wrote their book Life is ЯAW: The Story of a Reformed Outlaw. They donated a signed copy to the Universal Hip Hop Museum.
“I feel like Hip Hop picked me. It presented itself to me on the street. This movement picked me because of the way I experienced it on the streets of New York. It was such a dynamic force in 1985-1986. I was compelled to start taking these photos. Because it was happening. It was viral. It was coming out of the speakers. Kangol hats. It solved the problem that every artist has: where are you going to point your camera? I was in the right place at the right time. And I ran with it.” – Michael Benabib
What’s Important About These Items Ope donated all of these to the UHHM. Building from the ground up is how all music, particularly jazz, spirituals, and Hip Hop, came to
If you know how and why Hip Hop began, you know how powerful storytelling – for the sake of justice, culture, and entertainment – can be. Thus, you can appreciate why Sulaiman Jenkins and Mutah Beale produced and wrote their book Life is ЯAW: The Story of a Reformed Outlaw. They donated a signed copy to the Universal Hip Hop Museum.
Sharpism artist and UHHM Donor Antonio Mcilwaine on his art’s origin: “One of the reasons I chose to become a visual artist is I was paid to make something that came easily to me. I could always create the product. Always.” The product was the portrait. He enjoyed it. Using different techniques. Telling a story. And when he finished, he could look at the portrait and say, “I created this.”
“Caricaturing allows me the opportunity to capture a subject’s unique characteristics in a fun way. In today’s society, we focus on being politically correct or perfect; this type of artwork allows me to step outside of the box.”
This Hip Hop collective’s producer, the RZA, sampled Vargas’ drum beats for tracks such as “Bring Da Ruckus” and “Wu-Tang 7th Chamber”, as well as a then-unreleased version of the hit “C.R.E.A.M. (Cash Rules Everything Around Me).”
“The reason that Hip Hop culture struck me when it did is because it’s about inclusivity and different people expressing themselves in different ways – art, sound, dance. To be involved in this was part of my foundation. To share my art with an establishment that is dedicated completely to this inclusivity and people’s various artistic expressions was my responsibility and my honor.”
“Coming from an analogue upbringing, I appreciate the tools that aren’t digitized. Example: I can go to the library and find a book about something I could also read online. And I choose to go to the library because that’s one way I can really turn things on by turning something off.”
If you know how and why Hip Hop began, you know how powerful storytelling – for the sake of justice, culture, and entertainment – can be. Thus, you can appreciate why Sulaiman Jenkins and Mutah Beale produced and wrote their book Life is ЯAW: The Story of a Reformed Outlaw. They donated a signed copy to the Universal Hip Hop Museum.
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